Aśvaghoṣa, Śūdraka
Aśvaghoṣa clearly states that his work is principally a scripture. It is structured as a poem, yes, but that is only a veneer, a convenient pretence. Neverthele...
Aśvaghoṣa clearly states that his work is principally a scripture. It is structured as a poem, yes, but that is only a veneer, a convenient pretence. Neverthele...
While Parivrājaka seems to be miffed, he is also compassionate enough to reconcile that Śāṇḍilya being in this ephemeral world is bound to be behave that way! T...
A fool went to a lake to drink water; he saw the reflection of a bird called svarṇa-cūḍa and thought that there was gold fallen in the waters. He jumped...
Modern literary theory usually insists that a poet should not come in the way of the natural development of events and characters. If he gets personally involve...
Though instantly smitten, Śāṇḍilya realises he needs to be rich once he comes to know that she is a courtesan! Meanwhile the Yamapuruṣa, invisible to everyone,...
There lived a man who had a beautiful wife; fearing that she might have an affair, he monitored her at all times. Once, he had to travel to another plac...
We move on to the next prahasana, Bhagavad-ajjukam. Bhagavad-ajjukam Bhagavad-ajjukam as mentioned before is a śuddha-prahasana, like Mattavilāsa is one among...
At the outset of the Mahābhārata Vyāsa outlines its literary qualities that...
Narrating this story to Sañjīvaka, Damanaka said: ‘Thus a wise man remains steadfast when danger approaches. Now, this is what you must do. When Piṅgalaka rises...
The Story of Śūryavarmā There lived a royal servant called Śūryavarmā. Once, when he came home, found that his wife was in the company of his friend. He withhe...
Unmattaka is redirected to give the bowl to someone worthy. While this brings in the lofty principle of charity which says to give anything only to a worthy per...
In the next verse Vyāsa describes a defining trait of great poets. He intends this as a lodestar of sorts of his work: इतिहासप्रदीपेन मोहावरणघातिना। लोकगर...